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I don’t expect newer VCRs to be made, there’s a lot of precise mechanical engineering and the R&D that would need to go into making a professional-grade VCR today does not make financial sense. However, there is an option to refurbish existing ones and capture the magnetic signal as directly as possible. On media such as VHS or LaserDisc, the signal is not quite composite video, as that would require some 6 MHz of bandwidth. Instead, the color subcarrier is remodulated to a way lower frequency and then back to normal for playback. The folks behind ld-decode
(a project that takes raw signal from a LaserDisc’s laser pickup and translates it into composite video) and its fork vhs-decode
have made software that captures everything the head picks up into a raw file, and then does TBC and chroma decoding to create the best possible video. They also documented what hardware can be used for the capture (usually a firmware-modded Conexant video capture card or a beefy FPGA) and how to connect it to some VCRs’ circuitry.
Of course, this is quite an over-the-top effort for home tapes, I’d just go with a generic composite capture card that does not deinterlace nor upscale and not bother with TBC.
Composite is 480i/60*. That is, 60 times per second a blanking interval occurs, then 240 lines of picture are drawn - either the top (odd) or bottom (even) field. This is neccessary for CRT TVs because a 30Hz refresh rate would cause seizures but drawing all 480 lines 60 times per second would be wasteful. Look it up online for details: if you want videos, I recommend the Television playlist by Technology Connections on YouTube, especially the first video.
(Technically, the vertical frequency for NTSC is 59.94 Hz (precisely 60000/1001) to avoid interference between color and audio while keeping compatibility with B/W sets. In practice, you should check that the video output is actually at this frequency; if it’s 60 then every 1000th frame will be duplicated - no big deal usually unless this also swaps odd&even fields. No such problem exists for PAL, which was always exactly 50 Hz.)
If the converter only outputs 720p or 1080p (presumably at 60 Hz), all 720/1080 lines are drawn 60 times per second, which means lines are added with some scaling technique, after some kind of deinterlacing happens. There are various deinterlacing techniques that could be used here:
Don’t use the converter if it cannot output 480i or at the very least 480p! Scaling should happen during playback, the files should be original resolution. You can also try non-trivial upscaling with some AI tools but still DEFINITELY keep the original resolution file for archival.
I don’t have experience with moldy tapes. It might be a good idea but adds wear; I’d just clean the VCR after every tape if I suspect mold. You’d still need to clean the cleaning VCR after every tape to avoid cross-contamination so it would be
Idk, I just keep my files interlaced and stored as high-bitrate H.264 (I don’t have enough computing power to encode sufficiently good bitrate in better codecs). If I wanted deinterlacing, I could process the files with
ffmpeg
filters or some other tools.