The most elite trackers perhaps.

Trackers on /r/opensignups ? Nah they open their doors to the public every now and again.

Would not recommend it to anyone who can’t dedicate a seed box or machine uploading torrents most hours of the day every day. It’s possible to do it without those but difficult. With them it’s merely a matter of using free leech and building a buffer up as well as taking advantage of points systems to get free upload just for keeping torrents seeding even without uploading.

If you only ever grab free leech then all you have to worry about is meeting seed time and activity requirements like logging in every 90 days.

An old computer with an external drive. A raspberry pi, a nas that can run a BitTorrent client. Any would work if one doesn’t want to pay for a seed box. (Most trackers ban shared seed boxes though so you will have to get dedicated)

No.

HDMI does have a feature called Ethernet over HDMI that in theory could allow that.

Thing is though it’s literally never been implemented in anything. It died because cheap WiFi became common.

For it to work you’d need both the TV and Chromecast and HDMI cable all to support it. It’s not uncommon on cables and a surprising amount of them include it in features list (probably to trick low info people).

But I believe that’s a hardware design thing so not something even a software update could enable. It costs extra money and they’re already paying for a WiFi chip so why bother?

Just FYI. Comments nearly exactly like yours on Reddit were used in copyright troll lawsuits against ISPs as evidence they didn’t do enough to enforce copyright and were negligent and legally liable.

Further when that didn’t work the copyright agency sued Reddit to try to unmask the identities of those people to bring legal proceedings against them to coerce them into testifying against their ISP at threat of being in trouble for their activities. Reddit was big enough to fight off the lawsuit luckily but be careful.

Yes. It’s incredibly powerful but easy to use for a basic purpose like editing a line or converting formats.

Open the web subtitles in subtitleedit. Change format to ass (advanced substation alpha). Save and re-embed using mkvtoolnix.

Positioning of multiple lines works well with ass and VLC shouldn’t have an issue reading and displaying. Not sure if YouTube includes the positioning data in their subtitles though. You could recreate that in subtitle edit (free software btw, dk web domain I believe) but it would be a bit of an annoyance.

edit: Corrected domain name. Not German, but nikse is it as OP has suggested

All the big pirate sites use them though. Even private ones like TL. If they don’t they get DDOSed. They all turned it on over the past year or so after being badly attacked.

Did you reply to the wrong person or do you just have reading comprehension issues?

It should be considered illegal if it was used to harm/sexually abuse a child which in this case it was.

Whether it should be classed as CSAM or something separate, I tend to think probably something separate as a revenge porn type law that still allows for distinguishing between this and say a girl whose uncle groomed and sexually abused her while filming it as while this is awful it can (and often does seem) be the product of foolish youth rather than the offender and those involved all being very sick, dangerous, and actually violent offending adult pedophiles victimizing children.

Consider the following:

1. Underage girl takes a picture of her own genitals, unfortunately classified as the unhelpful and harmful term “child porn” and she can be charged and registered as a sex offender but it’s not CSAM and -shouldn’t- be considered illegal material or a crime (though it is because the west has a vile fixation on puritanism which hurts survivors of childhood sexual trauma as well as adults).

2. Underage girl takes a picture of her genitals and sends it to her boyfriend, again /shouldn’t/ be CSAM (unfortunately may be charged similarly), she consented and we can assume there wasn’t any unreasonable level of coercion. What it is unfortunately is bound by certain notions of puritanism that are very American.

3. From 2, boyfriend shares it with other boys, now it’s potentially CSAM or at the least revenge porn of a child as she didn’t consent and it could be used to harm her but punishment has to be modulated with the fact the offender is likely a child himself and not fully able to comprehend his actions.

4. Underage boy cuts out photo of underage girl he likes, only her face and head, glues it atop a picture of a naked porn actress, maybe a petite one and uses it for his own purposes in private. Not something I think should be classed as CSAM.

5. Underage boy uses AI to do the same as above but more believably, again I think it’s kind of creepy but if he keeps it to himself and doesn’t show anyone or spread it around it’s just youthful weirdness though really he probably shouldn’t have easy access to those tools.

6. Underage boy uses AI to do same as 4-5 but this time he spread it around, defaming the girl, she/her friends find out, people say mean things about her, she has to go to school with a bunch of people who are looking and pleasuring themselves to fake but realistic images of herself against her consent which is violating and makes one feel unsafe. Worse probably being bullied for it, mean things, called the s-word, etc.

Kids are weird and do dumb things though unfortunately boys especially in our culture have a propensity to do things that hurt girls far more than the inverse to the point it’s not even really worth talking about girls being creepy or sexually abusive towards peer-aged boys in adolescence and young adulthood. To address this though you need to address patriarchy and misogyny on a cultural level, teach boys empathy and respect for girls and women and frankly do away with all this abusive pornography that’s super prevalent and popular which encourages and perpetuates abusive actions and mentalities towards women and girls, this will never happen in the US however because it’s structurally opposed to being able to do such a thing. Also couldn’t hurt to peel back the stigma and shame around sexuality and nudity in the US which stems from its reactionary Christian culture but again I don’t think that will ever happen in the US as it exists, not this century anyways.

Obviously not getting into adults here as that doesn’t need to be discussed, it’s wrong plain and simple.

Bottom line I think is companies need to be strongly compelled to quickly remove revenge-porn type stuff (regardless of the age of the victim though children can’t deal with this kind of thing as well as adults so the risk of suicide or other self-harm is much higher so it should be treated as higher priority) which this definitely is. It’s abusive and unacceptable and they should fear the credit card companies coming down on them hard and destroying them if they don’t aggressively remove it and ban it and report those sharing it. It should be driven off the clear-web once reported, there should be an image-hash data-set like that used for CSAM (but separate) for such things and major services should use it to stop the spread.

What are you average file sizes for movies and series?

Movies? 4-8GB for most 60-120 minute features. TV shows. For live action 800MB/episode, 500MB/ episode for animation. For hour long stuff probably 1.2-1.6GB/episode.

What would you do? what’s your target size for movies and series? What bitrate do you go for in which codec?

HEVC 10 bit. I target in the 7000-9000kbps bitrate range generally. For animation that can be as low as 3000-5000kbps. Sometimes a bit higher for very grainy old films, occasionally a little lower for grain less modern digital camera work that hasn’t had digital grain added.

If you want to maximize space savings without losing quality you have to understand what needs more bitrate and what can do with less. Across the board you could do something like CRF 20 but you’d have outliers where you don’t get enough bitrate and those where you still end up with rates of 14,000kbps.

The above is for 1080p content.

If you can stand HD video content at 2-3000kbps more power to you but on a large TV I can tell. I think even being reckless and not caring about future-proofing less than 6000kbps is a bad idea for anything but TV shows. Even those I think outside animation you want minimum 2000kbps for 1080p.

Nothing. It’s an automated. Just stop doing it and it’ll decay with time.

DVD’s max out at about 580p (for PAL, NTSC is 480p), resolutions are measured by the number of horizontal lines of pixels (counted from top to bottom of video/screen), not vertical which at 4:3 square aspect ratio on dvds does tend to be 720 pixels (by contrast full resolution HD video’s number of vertical lines is 1920 while it’s horizontal lines are of course 1080, hence 1080p). You’re not the first person to be confused by this.

Professional encoders who fully understand the encoders and the schemes in use and care about not seeing artifacting or low quality would never intentionally go as low as 300mb for a feature length movie of even an hour. Yes there are people who do such things but they’re not well regarded and it won’t look even passable on anything larger than a phone screen.

Recognized quality groups that seek low sizes might get an animated feature (less bitrate needed due to lack of fine detail in animation vs real film) in SD quality down to around that. But for most live action content the sizes I see from the best of the best concerned with smaller release sizes are in the 900mb to 1.5GB range for 60-90 minute features.

300mb for a 90 minute live action feature even in SD is just not going to look good, some of the groups who get those sizes make them look even half-passable by running pre-filters in virtualdub that smooth, reduce grain and detail, etc before passing to the encoder. That kind of thing is way beyond anything you’re going to learn in a few youtube videos though, that’s advanced stuff with scripting.

Think about it this way, if you shoot for 1GB encodes with 265 or AV1 you can store over 900 movies on a 1tb drive which can be had for well under a hundred dollars.

I would like the best and fanciest algorithms to have least dataloss.

There is no magic that will get you where you want. If you want detail preserved you need more bitrate which translates to larger sizes. Modern codecs like HEVC and AV1 mean you need as much as 1/5th the bitrate you needed with old MPEG2/4 encoding schemes used on DVDs, that’s darn good savings but it has its limits.

Do as you will but anything live action (non-animated) significantly under 1000kbps average bitrate is going to look awful on a 1080p screen and much worse than what it would look like if you popped your dvd in the disc drive and played it from there.

Opus is fine if you’re not worried about compatibility and just playing on a computer.

As others mentioned having a good encoder is an issue for AAC. And some skills in using it, tuning, etc.

Nearly all quality releasers now use AC3/EAC3 or FLAC. Tigole is the last one who uses AAC to my knowledge and the rest of the QXR group rolls their eyes at it.

You’re not going to get a meaningful reduction in bitrate and file size with AAC over EAC3/AC3 without loss of quality. We’re talking maybe you can shave 2-300kbps off an AAC version versus an AC3 5.1 track. And it’s tricky. So much so no one other than that one person I mentioned bothers. At least no one accepted in the higher echelons as competent in creating acceptably transparent encodes.

If a source has EAC3 (itself capable of up to halving the bitrate required vs AC3) or AC3 I’d recommend keeping it as they tend to already be efficient. They’re also universally compatible as codecs. Re-encode those big 1500kbps DTS tracks and those even bigger monster lossless Dolby and DTS tracks but I’d leave efficient codecs like AC3 alone.

That said it’s up to you what sounds good. If you’re using lower end stuff and can’t tell the difference after trying a few different test videos with different types of sounds then go for it.

Don’t bother with M-discs. They only provided a meaningful advantage in the DVD era. I’ve researched this a bit myself and consensus at least in the data hoarding community is use 2 Blu-ray Discs from two different batches (bought 6 months apart). Which still comes out cheaper or the same as branded M-Discs. (Though that may be overkill and truth be told as long as you test the disc and it’s data done months after writing you’ll tend to catch any rare bad ones)

Truth is, quality Blu-ray Discs have all the features that would engender M-disc type longevity in the design spec. Just make sure they’re not low to high (LTH) discs which are inferior but always marked as such at least.

Don’t get no-name cheap ones either, get Verbatim, Sony, some other good Japanese brand. For Verbatim specifically their discs marked MABL on the package are better.

Always burn data at lower speeds too, less errors.

Blu-ray remuxes (even a public site like rutracker keeps a lot of English commentary tracks in the fuller size releases), certain releasers like QxR, Sartre, HEVK who tend to include them. Someone called budgetbits on leetx also tends to include them alongside rifftrax. Important thing is to check the media info these include on the website to see if commentary tracks are present.

Most remuxes have commentary tracks passed through. Heck, good encoder groups like QxR, TAoE and many Internal’s retain them.

I’ll agree remuxes generally drop extra video files though you don’t strictly need an iso for those, just a full BD disc dump in folder form which are far more common than ISO’s though far less common than single file remuxes.

I don’t think LoTR 4K’s changed the extras and behind the scenes from 1080p either so finding disc folder dumps of the old HD releases should suffice for OP if that’s all they want.

Most useful unique website thing rarbg had by far was full mediainfo listing for every single upload on site. You could immediately tell what you were getting and even dead torrents became useful by virtue of retaining chapter data that could be applied to another release.

Also, call me skeptical but IMO without access to scene FTP’s or week-1 access to (and automation on a large scale of re-uploading from) cabal trackers like BTN to get the good content from your site frankly risks ending up just another mirror among many others like lime torrents for existing public net and low hanging private tracker fruit. (If you have mediainfo for all files that adds a lot of value though)

IMO the real need left by rarbg is not for more re-hosting of content many others have but for publishing web-dl’s others don’t have, not of just new series (which everyone does as ep’s drop) but older movies and older series without other good 1080p or 4k releases available. Even today I see many old TV series the only HD releases available are old rarbg packs and this includes across multiple of the biggest PT’s.

Of course I wish anyone willing to run a big general tracker luck (assuming they’re honest and intent isn’t to distribute malware ofc).

Looking up technical specs for the drive it’s often mentioned on data sheets (often as conventional magnetic recording drive or else shingled if SMR). Other than that third parties have compiled lists and many but not all Amazon pages in tech specs mention it if you look closely. Try searching drive-model and cmr and then smr and see what comes up. Beware some drive families different sizes of drive may be cmr vs smr. WD red pro and ultra star DC line are all CMR, WD blues many are SMR. WD black as far as I know are all CMR. WD red (non-pro) can be SMR I believe.

I’ll be honest, the real difference is getting a 7200 vs 5400 RPM drive, particularly one with a larger cache, I’d always go for 7200 except for purely offline backup stuff.

In terms of external drives and shucking, it’s largely a crapshoot. You can try searching what drives others found in a model, however they’re subject to change.

Bottom line: If money is tight and it’s just you, you can absolutely do SMR and 5400 RPM external drives and have a smooth experience as long as we’re talking re-encodes not raw Blu-ray remuxes (I have seen an external 5400RPM SMR drive choke and fail trying to smoothly play a file at 24MB/s bitrate but it worked fine with 10MB/s re-encodes, even those with burst rates of 17MB/s). If you can afford a bit more try to go 7200 and CMR.

https://diskprices.com/

Beware MDD at the top is alleged to sell drives they’ve refurbished which are essentially used but with wiped smart. Other cheap deals… check sellers. If it’s not sold and shipped by Amazon it could be slightly used drives (usually third party sellers do a mix so some people get brand new, others not so much). Also beware third party sellers and Amazon itself often sell OEM drives without warranty. I always check the serials online before opening the anti-static bag to make sure it’s in warranty.

Also: shucks.top

You need to wait and watch for the good deals but they come around multiple times a year.

Also, understand there are certain storage ranges to get these prices. Generally 8-18TB drives are best deals per TB. You pay a premium for 20-22 top size drives as well as for smaller drives like 2-4TB. 14TB seems to be the current sweet spot most of the time.

Lastly. Understand SMR drives are alright for backups but not ideal for streaming high bitrate content from or using to seed files. CMR is better.

OP said money was tight.

And why pay more for less? Over the purchase of 3 hard drives I save enough to get a fourth “free” off the difference in savings.

$4x14tb=$56 for example.

But please. Continue to pay whatever you want. More cheap drives for me.

$20/TB is a bad deal.

You can get WD Red Pro’s on sale twice a year for $16/TB.

Further you can order unused data center and enterprise drives for anything from $11-$16/TB and those things are built to take way more use and abuse than home users can throw at them.

I would not pay above $17/TB for traditional magnetic spinning disk storage.