They were also inconveniently experiencing significant negative feedback to their business decision to sell warmed up day old food as a standard operating procedure just before new of the logo drama erupted. If you thought cracker barrel was extremely mid before, it’s apparently gone full Applebee’s microwave kitchen bad lately.

Don’t sleep on that toothache if it is due to an infection. Tooth infections can kind of fast track to the sinuses and then the brain and go real bad real quick. Also there’s the pain. I don’t know how you can survive with that pain AND a tiny human. Probably best not to die on them because of a dumb thing like a toothache.

I guess they couldn’t get it suspended long enough to get a measurement from the crane itself?

My smartphone isn’t a phone with “extra” features to me. My smartphone is a portable personal computer with extra sensors, a GPS receiver, and wireless internet, which also happens to have a phone app. I don’t want to carry an extra “dumb” phone. I would prefer my smart watch to be the communication and identity hub for me and my devices: holding the SIM card, acting as a wifi hotspot, routing calls and internet to my handheld brick or laptop, etc. Instead of acting like a third party add-on, it would be a mostly distraction free core. Let me use a smartphone, laptop, steam deck, cobbled together cyber deck, or whatever else have you as my local screen, storage cache, and/or proper desktop. Then I can put the screens down or leave them behind without feeling cut off or potentially stranded in a world that practically requires it to navigate with any ease. I want a smart watch that enables me to leave the house without car keys, driver’s license, and credit cards; essentially with nothing but my watchphone. I want to be a cyberpunk Dick Tracy. What I want, with the freedoms and open standards I want, with the privacy I want, without being locked into a single monopoly walled garden, is probably a pipe dream. I want what is probably the next evolution of the “year of the Linux desktop”. But a kid can dream.

That’s not very helpful for connecting family, friends, and especially grandma.

Jellyfish cannot to setup to securely and safely be exposed to the Internet. It is only safe to access through a VPN. That rules it out as an option for sharing with friends, family, or even my own spouse. You call it phoning home to the mother ship; I call it paying Plex to manage user authentication for me. Until Jellyfin’s security holes are patched and it becomes clear that the Jellyfin developers actually care about security, it stays locked down to my LAN. Setting up a VPN is difficult for the average user on a good day, impossible in some circumstances on even the best of days, and is not access I want to hand out (and support) to all the people I share my Plex with anyway.

So edgy.

If someone wrote this article in the early 90s, it would be called “Why I ditched the radio, and how I created my own CD collection.” I think rephrasing it that way really shines a light on why it’s mostly still comparing apples and oranges.

I have a pretty substantial collection of music hovering around 5,000 albums or 1.6TB (mostly lossless FLAC these days, but still some moldy old mp3s and ogg vorbis files from my youth). I’m not even counting the physical media I still hold on to. I still use Spotify for discovery and playlists. I don’t think the depth and breadth of my library will ever match the depth and breadth of the music that I want to listen to in the very next moment. Lots of times I want to listen to the stuff I’m familiar with, and I do that using my own library. But, when I want to: remember a song I heard in the wild, share a holiday playlist with friends, make an obscurely themed playlist of songs features peaches, preview a musician’s or band’s stuff, discover other things that musician has collaborated on, or simply discover new music; I still use Spotify.

There are (or were) bits and pieces out there (many that pre-date Spotify) that can do some of these things. Last.fm (fka Audioscrobbler) was good for tracking listening habits to compare and share with others, it helped a little with discovery. I used allmusic.com a lot long ago to discover the artists that inspired the artists I was listening. If I wanted to share a playlist, I made a mixtape (really it was burning a mix CD). But, all of these collected information only, not the music itself. If I wanted to actually hear a new song, I had to go somewhere and find it first. That often meant literally traveling somewhere else or ordering from a catalog and waiting for delivery. Every new music discovery was a bet made with real dollars that I would actually enjoy the thing or listen to it more than once. Even after napster paved the way for free listening via piracy, one still had to work to actually find the music.

Spotify (and similar services) finally collected (almost) all of it under one app, so that I could discover and listen seemlessly. It is instant gratification music discovery. I’ll never give up my self hosted collection, but I also don’t have much hope that any self curated collection will be able to complete with the way that I use Spotify. Spotify is just the new radio. It’s never the end of my listening though. Just like with radio, when I find something I like enough, then I can expend the energy (or more often expend the money as directly with the band as I can) to add it to my collection.

A fucking Members Only pizza.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

“pretty easy” is a bit of a stretch

It’s also an argument for not having your own domain for emails, because you may one day loose that domain too, and someone could poach the domain to impersonate you.

The Google Nest Mini is a smart speaker, not the smart thermostat with a similar name.

It’s not a completely different thing. They were both trying to fully integrate the operating system and the web browser into one monolithic and inescapable thing: Windows XP + Internet Explorer to squash competition on the desktop; Linux + Chrome to squash competition on laptops; Android + Chrome OS to squash competition in the mobile space. The money to be made on operating systems is trivial in the consumer space compared to the power of control over platforms (like web browsers) that deliver advertisements and harvest data from comsumers. M$ saw the writing on the wall way back then in their fight with Netscape Navigator. The more things change, the more they stay the same.

I feel like I’m talking to an AI chatbot completely unable to reason abstractly or consider the full context of the conversation.

Why bother commenting at all if you’re going to be proudly ignorant AND a jerk?

Who’s talking about Windows 8 or 2012? I said 2 decades and meant it. I wasn’t talking about the same time frame, just pointing out the history we are repeating. I was talking about “United States vs Microsoft Corp.” (2001). That would have been regarding Windows 98 and Windows XP. Internet ExplorerEdge is still an integral and unremovable component of Microsoft’s operating systems to this day and I guess everyone really has forgotten about Netscape Navigator.

Two decades ago people would remember when M$ decided to do something very similar on the desktop. Nothing has changed.

Somehow I think the national lab test company’s lawyers have got them covered. This wasn’t exactly a fly by night, no name company. Having in known third party send you a medical bill months later is pretty fucking common place. This was just one anecdote of many, not an isolated incident.

The best part is the random bill.

• Go to the doctor. Get blood drawn.
• Doctor send the blood to a lab for the test. Doesn’t tell me who. I don’t care who. It’s their subcontractor, let them worry about it. *Go back to the doctor or get a call for results. Pay the doctor the standard co-pay. *Months later a random company sends me a bill. This is a company that I have never interacted with or entered into any contract with, for work that somebody else (presumably my doctor, but who the fuck knows for sure) asked them to do for them, sending the results to that other person and NOT to me.

The system is broken. If any other company subcontracted a part of their work to a third party, you as the client would reasonably expect that work to be paid through the original contract, not get a bill directly from the subcontractor. I didn’t hire them, the doctor hired them. As far as I’m concerned, that’s the doctor’s subcontractor and their debt, not mine. I paid the doctor already.

Or another variant.

• Go to the emergency room.
• Get separate bills FOR THE SAME SERVICE from the hospital, the doctor, and somehow the hospital again but this time it’s the emergency room (which is somehow separate with a different billing company).

The system is not just broken. It is designed to fleece us and train us to always accept whatever debt the institutions decide to levy on us without question.

Songs are cheap. Ever heard of buying something for a song?

It’s because that recording industry, the RIAA vs. the MPAA, has had a stranglehold on the industry and artists for much longer. They are much better at exploiting artists while paying them next to nothing.